A photograph, printed as a postcard, of Footeena Francees and her family. Caption from [source]: "[I can't be sure if "maternal grandmother" refers to Footeena's grandmother, although you said she never came to this country. Could it be possible that…
Handwritten autobiographical notes made by Maron Domit Barkett written in February of 1939. Some of the overlaps with the diary that Barkett kept between 1905-1915, focusing on his marriage, the birth of his children, and ending with the death of…
Moussa Domit standing in front of a house in Columbus, Ohio in the winter, circa 1955. Moussa moved to Columbus after his immigration in 1953, and attended the Ohio State University.
A "Today's Women" article from The News and Observer profiling Yvette Baini Domit soon after the Domit family's move to Raleigh, North Carolina. The accompanying photograph depicts Yvette with her youngest son, eight-month-old Matthew Domit.
Article on Domit's role as Director, North Carolina Museum of Art. Entitled "A New Director, New Directions." The article touches upon the controversy surrounding the museum's move, but emphasizes Domit's role in growing the collection.
Handwritten diary entries of Maron Domit Barkett providing an account of the early years following immigration of to America, arranged chronologically by date. Subjects include the birth of his children, health of his family, and his search for work.
A narrative family tree "based on the village church records of births, baptisms, marriages and deaths and some oral history, which were compiled in 1934 by Father Yousef (Kalem Cory's father)," priest of the village referred to in the document as…
Margaret "Peggy" Domit (left) walking with an unidentified relative down the streets of Columbus, Ohio. Though undated, the photograph was likely taken between 1930-1940s.
Margaret "Peggy" Domit holding the reigns of a goat and sitting on a small cart, surrounded by unidentified relatives and friends in Ohio. Though the photograph is undated, it was likely taken between 1930-1940s.
A photograph of Majed Moussa Domit and an unidentified man standing together in front of a brick wall, likely in Lebanon. The photograph is undated, but was likely taken 1920-1940.
